“Freedom is what you do with what’s been done to you.”
-Jean Paul Satre
I can be your best friend, or your worst nightmare.
Your choice.
Make no mistake, I am no Jeffrey Dahmer. My tactics aren’t so crude, and the only heads I like to suck are the ones still attached to the bodies from which they have sprung.
(Am I allowed to say that on the Internet?
[…]
Oh, well. No matter.)
By day, I go by the pronouns “he/him,” but don’t let that fool you. I am one hell of a bad bitch, and I highly suggest that you don’t cross me.
I have the same intellectual prowess as my good friend, Clementine, but I have long shed the weight of the Naive Optimism that impels her to trust the types of people who inevitably cause immense amounts of pain.
Granted, I give Clementine the space to trust the world.
(I let her feel. I let her believe. I let her seek
the goodness in other people, because there’s a little
part of me that hopes she’ll get it right some day.
There’s a little part of me that wants to believe
in what she sees in others.)
She is, after all, our heart.
She is our guiding force.
She is our beacon in the dark.
So, I hang back. I sit tight. I let Clem embody that Beautiful Self of hers, and I watch as people take and take and take from her until I deem that they’ve taken too much.
Then,
(when it becomes
abundantly clear
that you are not
the wheat, but rather
the chaff)
—I grab the proverbial reins. I’ll let you believe that you’re talking to Clementine (or any of The Others), but make no mistake:
(It’s just a ruse.)
If you’ve taken too much,
if you’ve gone too far,
if we appear to be none the wiser, and
if you believe that you’ve gotten away with something, then
—don’t be so smug, dear—
you’re probably just talking to me.
(I am the one who provides
the curated impression.
I am the one who gives
you what you want to see.
I play the game
of your skewed perception,
embodying
what you’ve already decided to believe.)
Because. Here’s the thing:
(You can learn a lot about a person
by the way they treat you
when they believe
that you’re too dumb, weak, or crazy
to defend yourself.)
So, I study.
I observe.
I weigh and measure from the background,
because Clem is absolutely brilliant.
She’s brilliant beyond belief.
She’s more brilliant, even, than me,
—and thus she needs protecting.
So, if I sense that you will take from her because you deem her dumb and ignorant,
—I will let her be Your Imbecile.
And if I sense that you will take from her because you think her aloof and naive,
—I will make her Your Doe-Eyed Girl.
And if I sense that you will take from her because you simply believe her to be mad,
—I will let her be Your Hysteric.
It’s nothing against Clementine (or any of The Others); it’s simply a matter of strategy.
There’s power in being
the improbability,
the unknown quantity,
the quantum cat inside the box.
(It’s more convincing
to operate behind the screen.)
Then, when Clementine and The Others find out that you’ve been taking from us all along,
—we will show you who we really are.
Because, yes.
At times, we can be dumb.
At times, we can be naive.
We can be aloof
and tearful
and ignorant
and selfish
and depressed
and difficult—
—because we have, of course, been shattered at times—
but we can also be
creative and
kind and
fertile and
caring. We can be
witty and
dazzling and
clever and
bold,
—because there are a multitude
of selves inside of us
that most people never see.
There are those of us who cannot speak.
There are those of us who cannot write.
There are ones who hurt and
fear and
dance and
make and
love and
cry.
(There are ones who remember our pain.
There are ones who conceal it.
There are ones who struggle to recognize any pain at all,
and there many among us
—children, mostly—
who’ve been so abused
that they’re terrified
to peak out from behind the corners
of our consciousness.)
Together, though, we are The Whole.
Together, we are complete.
Together, we are everything—
—and nothing.
We are a oneness—
—and a world of parts.
We are more than the ego that yours has assigned to us.
(We are the Eliese that doesn’t exist.)
And, somewhere deep inside this “Eliese”—somewhere deep inside this “idea of a person” who you think you’ve got pegged—lies the one who watches:
I am the onlooker. I am
the witness. I am
the nag on a pale horse preaching
the chip on his shoulder
from an empty tent in the dust:
“You will, of course, be weighed.
You will, of course, be measured.
You will, of course, become the object
of my gaze, and I will see past
the illusion—
—of who you believe yourself to be.”